26 420 025

Jidai Byobu

Mid-Edo Period (approx. the 1700s)

Antique Peony Painting

$2,398.62(tax included)

Commanding the entire space:
The supreme majesty of the "King of Flowers."

A magnificent, large-blossomed peony, brought to life by a mid-Edo period master through a keen eye for observation and powerful, spirited brushwork. The intricate detailing and opulent palette reflect a deep admiration for Kara-e (Chinese-style painting), a genre that was highly fashionable in Japan at the time. In traditional culture, the peony is revered as a timeless symbol of "wealth and nobility" (fuki), making this resplendent Jidai Byobu an exceptionally auspicious masterpiece perfect for celebratory spaces.

A timeless brilliance:
An elegant radiance that transcends centuries.

By incorporating a generous amount of negative space, the decorative, ornamental brilliance of the blossoms and leaves is brought into sharp, striking relief. The sunago applied here, uniquely cut into slender, elongated threads, represents a rare decorative technique seldom seen in traditional works, imbuing the surface with an added layer of luxurious shimmer. Viewers will find themselves instantaneously transported to a distant era, entirely captivated by its universal and enduring beauty.

*Sunago: A decorative technique using finely crushed and scattered gold or silver leaf.

Jidai Byobu

Antique Peony Painting

$2,398.62(tax included)

Antique Peony Painting

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
26 420 025
[Estimated Era]
Mid-Edo Period (approx. the 1700s)
[Size]
W150mm × H200mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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