26 420 057

Jidai Byobu

Late Edo Period (Keio Era, approx. 1865–1868)

Antique Morning Glory Painting

A vivid, commanding presence:
The striking interplay of morning glories and gold leaf.

Originally created during the late Edo period to adorn the small lower sliding doors (Jibukuro) of a traditional room, this painting was recently discovered in a virtually untouched, pristine condition. Experts have authenticated it as a masterwork from the historic Keio era (1865–1868). This represents an exceedingly rare example where both the mineral pigments and gold leaf remain impeccably preserved. The exquisite palette of vibrant blue, lush green, and radiant gold, paired with a dynamic composition of wildly blooming vines, stands as a testament to the artist's superb mastery. It is a captivating piece that radiates the dazzling, brilliant life force of a summer morning.

Savoring the graphic contrast:
Where vibrant life meets the muted patina of time-worn silver.

By beautifully pairing the vividly colored morning glories and radiant gold leaf with an atmospheric, antique silver leaf that has gracefully flaked over time, a magnificent tension of contrast is born. This piece embodies the very mission of the Jidai Byobu—bringing a long-slumbering masterpiece back to life in the contemporary world with dramatic flair. It effortlessly breathes a crisp, dignified morning air into any modern interior.

Jidai Byobu

Antique Morning Glory Painting

Antique Morning Glory Painting

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
26 420 057
[Estimated Era]
Late Edo Period (Keio Era, approx. 1865–1868)
[Size]
W550mm × H320mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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