26 420 021

Jidai Byobu

Late Edo Period (approx. 1780–1867)

Antique Wild Cherry Blossom Painting II

Celebrating the arrival of spring:
The lively abundance of double-flowered cherry blossoms.

This artwork features a volume-rich Yamazakura (wild cherry blossom) that appears to surge upward from the bottom edge of the frame. The layered, double-flowered (yae) petals are rendered three-dimensionally through the raised application of Gofun. While the delicate touch of pale pink mineral pigment lends a soft, innocent charm, the ruggedly rustic branches and leaves ground the piece with a sense of quiet strength. Together with the radiant brilliance of the gold leaf background, this Jidai Byobu allows you to elegantly experience the lavish essence of spring in full bloom.

*Gofun: A traditional Japanese white pigment made from pulverized sea shells, used to create textured, raised details.

Displaying as a paired set:
Reimagining a magnificent tree in full bloom through "Mitate."

It is exceptionally chic to display the two companion "Cherry Blossom Paintings"—both derived from a singular masterwork of the late-Edo period—side by side within your space. This arrangement invites you to indulge in Mitate (the traditional Japanese art of creative juxtaposition), making you feel as though you are gazing at a giant, magnificent cherry tree blooming outdoors through a pair of small, elegant windows. The true allure of the Jidai Byobu lies in its ability to transport you; with just a touch of rich imagination, it summons a breathtaking landscape that transcends the physical boundaries of your modern room.

Jidai Byobu

Antique Wild Cherry Blossom Painting II

Antique Wild Cherry Blossom Painting II

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
26 420 021
[Estimated Era]
Late Edo Period (approx. 1780–1867)
[Size]
W150mm × H230mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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