18xx 26 001

Jidai Byobu

Late Edo Period (approx. 1780–1867)

Antique Bird-and-Flower Painting Color and Gold Leaf on Paper

A contrast of themes, born from the art of Mitate.

It is no exaggeration to say that the allure of this Jidai Byobu was truly unmasked by the keen connoisseurship of an expert antique dealer.

The composition is a study in contrast; by deliberately cropping the waterfowl and showing only their tails, a striking visual dialogue is created between the birds and the shore. The deep blue pigments—characteristic of the Edo period—are beautifully illuminated by the shimmering gold dust, creating a shower of light that highlights the exquisite color contrast.

This piece exudes a stately presence and profound dignity, lending a timeless weight to any space.

*Sunago: A decorative technique using finely crushed and scattered gold or silver leaf.

Brushwork that resonates with the unfettered spirit of Edo artists.

Another captivating feature of this painting is the unique character of its lines. Both the delicate strokes of the waterfowl and the dynamic, rhythmic contours of the shoreline are born from the artist's vibrant, youthful sensibility.

The playful stylization, which echoes the graphic dynamism of modern animation, possesses a masterful charm that enchants every viewer. We invite you to experience an elegant moment of calm, as if enjoying a "Shakkei" (borrowed scenery)—bringing the serene spirit of the waterside directly into your own living space.

Jidai Byobu

Antique Bird-and-Flower Painting Color and Gold Leaf on Paper

Antique Bird-and-Flower Painting Color and Gold Leaf on Paper

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
18xx 26 001
[Estimated Era]
Late Edo Period (approx. 1780–1867)
[Size]
W250mm × H450mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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