18xx 26 002

Jidai Byobu

Late Edo Period (approx. 1780–1867)

Classical Waterside Landscape Color and Gold Leaf on Paper

¥380,000(tax included)

A rhythmic flow of water, accenting the ethereal waterside landscape.

The scene captures the transition from late summer to autumn.

It depicts the fading beauty of Ogi (Japanese silver grass), which grows naturally in lakes and wetlands. The tranquil, softly blurred surface of the water is marked by a dynamic rhythm—created by the tremulous brushstrokes and the delicate shading of the flowing water—leaving a profound and unexpected resonance in the heart of the viewer.

A masterful composition of billowing Unkin patterns.

With only the motifs of water and silver grass, this screen might have felt stark and desolate. However, the Sunago (gold dust) scattered throughout the composition instantly enlivens the space with a warm radiance.

Furthermore, the Unkin patterns surging from below create a sophisticated, collage-like juxtaposition, boldly anchoring the entire screen. This Jidai Byobu reinterprets the wabi-sabi landscapes of the Edo period through a modern lens, inviting the viewer into a realm of timeless beauty and instilling a sense of quiet dignity.

*Sunago: A decorative technique using finely crushed gold or silver leaf.
*Unkin: A traditional depiction of clouds from an aerial perspective.

Jidai Byobu

Classical Waterside Landscape Color and Gold Leaf on Paper

¥380,000(tax included)

Classical Waterside Landscape Color and Gold Leaf on Paper

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
18xx 26 002
[Estimated Era]
Late Edo Period (approx. 1780–1867)
[Size]
W250mm × H600mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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