26 420 055

Jidai Byobu

Early Showa Period (approx. 1926–1945)

Antique Rooster and Chick Painting

¥380,000(tax included)

An auspicious encounter:
The Rooster and the Festival Drum.

Since antiquity, the rooster has been revered as a symbol of prosperity—and even more so when depicted as a family with its chick. The festival drum, associated with celebratory fanfare ("narimono-iri"), is another highly popular auspicious motif traditionally favored in Japanese painting.

Rather than containing the entirety of the birds and the Tomoe crest on the drum, the composition challenges the limits of minimalist subtraction. Presenting itself almost as a visual riddle to the viewer, this unique Jidai Byobu serves as a captivating piece that naturally sparks intriguing conversation.

Bold use of antique silver leaf,
striking an unexpected harmony.

While the painting on silk is a relatively fresh work from the early Showa period, it has been boldly paired with antique silver leaf from the late Edo period, which has acquired a rich character through natural flaking (haku-raku). This striking combination brings an unexpected, beautiful harmony to the entire canvas.

Perfect for commemorating celebrations or marking a fresh new beginning, this piece effortlessly integrates into contemporary interiors, bridging historical depth with modern design.

Jidai Byobu

Antique Rooster and Chick Painting

¥380,000(tax included)

Antique Rooster and Chick Painting

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
26 420 055
[Estimated Era]
Early Showa Period (approx. 1926–1945)
[Size]
W350mm × H450mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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