26 420 064

Jidai Byobu

Late Edo Period (approx. 1780–1867)

Antique Flower and Bird Painting

An aura of continental culture:
The elegant harmony of a migratory bird and peonies.

Featuring a vibrant red patch on its throat reminiscent of the rising sun, the bird depicted here is inferred to be the Nogoma (Siberian rubythroat), a majestic migratory traveler that traverses the continent. Complemented by the lavishly painted peony, this work is passed down as a piece from the late Edo period, beautifully reflecting the profound influence of Chinese artistic culture popular at the time. The artist’s brilliant, fluid brushwork is in full display, masterfully capturing the dynamic silhouette of the bird as if it were performing a dance, enticed by the sweet fragrance of the blossoms.

Savoring the ultimate equilibrium:
A masterful juxtaposition of gold and silver.

To bring out the absolute best in this classical flower-and-bird motif, the antique dealer engaged in a long process of aesthetic deliberation, ultimately arriving at a brilliant mounting solution: pairing a fresh, vibrant gold leaf with an authentically weathered, late-Edo period silver leaf. The brilliant gold and the deeply textured, beautifully uneven silver generate a striking artistic tension within the frame, achieving a flawless and exquisite equilibrium. This Jidai Byobu introduces a razor-sharp, elevated sophistication to any modern interior.

Jidai Byobu

Antique Flower and Bird Painting

Antique Flower and Bird Painting

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
26 420 064
[Estimated Era]
Late Edo Period (approx. 1780–1867)
[Size]
W550mm × H310mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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