18xx 26 004

Jidai Byobu

Late Edo Period (approx. 1780–1867)

Painting of Imperial Court Gardens in Kyoto (Rakuchu), with Gold Leaf and Gold Dust

A dynamic composition with a sense of life and energy
in the Unkin pattern.

The dynamic composition is exquisite, with the sweeping curves of the Unkin patterns vividly standing out across the entire screen. The strong contrast of gold, blue, and green woven together will captivate the hearts of any contemporary viewer.

In the lower left, the lively brushwork of the pine tree lends a magnificent rhythm to the entire piece, imbuing your room with a sense of grandeur and timeless elegance.

*Unkin: A traditional depiction of clouds as if viewed from an aerial perspective.

The Ever-Changing Allure of Sunako’s Alchemy.

The Unkin pattern is luxuriously adorned with Sunago—a gold or silver powder technique also used in Maki-e lacquerware—to create a richly textured, three-dimensional effect. The way the impression shifts depending on the viewing angle is the unique expressive power of Sunago.

Although rooted in the Edo period, this technique creates an almost holographic, iridescent effect that feels strikingly futuristic, providing a bold accent to any contemporary space.

*Sunago: A decorative technique using finely ground gold or silver leaf.

Jidai Byobu

Painting of Imperial Court Gardens in Kyoto (Rakuchu), with Gold Leaf and Gold Dust

Painting of Imperial Court Gardens in Kyoto (Rakuchu), with Gold Leaf and Gold Dust

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
18xx 26 004
[Estimated Era]
Late Edo Period (approx. 1780–1867)
[Size]
W250mm × H600mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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