26 420 034

Jidai Byobu

Mid-Edo Period (approx. 1700–1780)

Antique Autumn Foliage Painting

¥380,000(tax included)

Gleaming in the autumn sunset:
The radiant brilliance of crimson leaves.

This artwork showcases the magnificent brushwork of a mid-Edo period master, who captured the wild, untamed grasses and the sprawling branches of autumn maples with dynamic, lively strokes. There is a compelling intensity in the artist's gaze, seizing the fleeting brilliance of the foliage as its hues shift minute by minute in the setting sun. The abundantly scattered sunago has been cut into long, slender threads, creating a visual rhythm that feels almost as if music is being played across the canvas.

*Sunago: A decorative technique using finely crushed and scattered gold or silver leaf.

Highlighting the masterful brushwork:
The exquisite cadence of negative space.

To emphasize the vigorous energy of the wild grasses and the radiant gleam of the autumn leaves, the composition incorporates an exquisite sense of "ma" (negative space) within the margins, crafted into a slender, vertically elongated layout. This Jidai Byobu harmonizes beautifully with any contemporary interior.

Offering a perfect blend of modern elegance and traditional grace, it brings a profound sense of tranquility to your heart—as if you were relaxing while gazing out at the serene autumn fields and mountains.

Jidai Byobu

Antique Autumn Foliage Painting

¥380,000(tax included)

Antique Autumn Foliage Painting

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
26 420 034
[Estimated Era]
Mid-Edo Period (approx. 1700–1780)
[Size]
W170mm × H500mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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