18xx 26 003

Jidai Byobu

Late Edo Period (approx. 1780–1867)

Chrysanthemums and Autumn Flowers Color and Gold Dust on Paper

The vivid contrast of the raised Gofun (seashell white pigment) highlights the striking elegance of the chrysanthemum.

The unique matte white of the Gofun and its voluptuous, three-dimensional thickness emphasize the commanding presence of the central chrysanthemum. The design, which exudes a sense of allure amidst its untamed, wild vitality, will bring a touch of modern sophistication and a lustrous glow to any space.

*Gofun: A traditional Japanese white pigment made from pulverized seashells.

The celestial shimmer of gold dust, cascading from the heavens.

The golden particles cascading from the heavens are not ordinary sand-like dust, but meticulously cut, thread-like strips of gold leaf. This is an exceptional rarity, virtually unseen in Japanese paintings of any era.

While the eye is naturally drawn to the central white chrysanthemums, the true quintessence of this Jidai Byobu lies in the exquisite tension—a dynamic interplay between the delicate flowers and the shimmering gold.

*Sunago: A decorative technique using finely crushed or scattered gold and silver leaf.

Jidai Byobu

Chrysanthemums and Autumn Flowers Color and Gold Dust on Paper

Chrysanthemums and Autumn Flowers Color and Gold Dust on Paper

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
18xx 26 003
[Estimated Era]
Late Edo Period (approx. 1780–1867)
[Size]
W250mm × H600mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

Contact

Products

Ending Soon

All products