26 420 040

Jidai Byobu

Mid-Edo Period (approx. 1700–1780)

Antique Maple Tree Painting

¥480,000(tax included)

Shining through the trials of time:
The powerful, vital presence of the maple.

This powerful maple tree, brushed by a mid-Edo period master, embodies a profound reverence for nature, seen in the rich texture of the trunk that remains unfaded through the centuries and the freely spreading branches. The deep, expansive negative space of the background beautifully anchors the composition, causing the overwhelming presence of the maple to boldly emerge in the foreground. When displayed in a contemporary interior, this Jidai Byobu creates a comforting harmony between the weight of history and the vibrant breath of nature.

A graphical resonance:
Bold trimming and contemporary gold leaf.

The strategic composition, which beautifully leverages the grand, sweeping lines of Unkin (stylized clouds), resonates split-second with the textured momi silver leaf applied along the bottom edge, generating a profound sense of depth within the gold leaf background. By utilizing this deeply atmospheric silver leaf, the negative space is elegantly anchored, resulting in a visually arresting and highly sophisticated masterwork. This Jidai Byobu effortlessly introduces an air of refined grace and elegance to any contemporary interior.

*Unkin: A traditional Japanese painterly motif representing stylized clouds depicted from a high, bird's-eye perspective.

Jidai Byobu

Antique Maple Tree Painting

¥480,000(tax included)

Antique Maple Tree Painting

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
26 420 040
[Estimated Era]
Mid-Edo Period (approx. 1700–1780)
[Size]
W200mm × H550mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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