26 420 027

Jidai Byobu

Mid-Edo Period (approx. 1700–1780)

Antique Chrysanthemum and Gentian Painting

¥480,000(tax included)

The crisp, masterful brushwork captures
the vivid, fleeting freshness of autumn flora.

You will be utterly captivated by the masterful brushwork that portrays the symbolic wildflowers of autumn with a lively, rhythmic energy: the plump, white chrysanthemums rendered in thick Gofun, the freshly bloomed gentians, and the slender blades of wild grass weaving through them. Rather than merely accentuating the blossoms with standard gold dust, the master applied innovative techniques—such as scattering gold leaf cut into long, delicate threads—infusing the rustic flora with an air of quiet opulence.

*Gofun: A traditional Japanese white pigment made from pulverized sea shells, used to create textured, raised details.
*Sunago: A decorative technique using finely crushed and scattered gold or silver leaf.

Reimagined through bold collage,
evoking a strikingly modern expression.

The classic beauty of the mid-Edo period has been dynamically reconstructed using contemporary craftsmanship through a bold collage technique. By pairing the historic weight of the original paper with the rich, textured character of momi-ginpaku (textured silver leaf) and a sharp, slender ink line that crisply anchors the canvas, an unprecedented modern expression is born. While honoring tradition, this highly sophisticated Jidai Byobu serves as a refined accent for contemporary interior spaces.

Jidai Byobu

Antique Chrysanthemum and Gentian Painting

¥480,000(tax included)

Antique Chrysanthemum and Gentian Painting

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
26 420 027
[Estimated Era]
Mid-Edo Period (approx. 1700–1780)
[Size]
W200mm × H550mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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