26 420 026

Jidai Byobu

Mid-Edo Period (approx. 1700–1780)

Antique White Chrysanthemum Painting

Plump white chrysanthemums rendered in raised Gofun,
graced by a shower of uniquely elongated Sunago.

The thick, lush petals of wild white chrysanthemums are beautifully rendered in raised Gofun layer, creating a tactile, three-dimensional presence on the canvas. Fluttering around them are delicate flakes of Sunago—uniquely cut into long, slender threads of gold leaf. Perhaps a playful whim of the mid-Edo period master, this rare decorative technique is a striking anomaly seldom seen on other folding screens.

This captivating scene of chrysanthemums, capturing a moment that feels both fleeting and eternal, infuses your space with a rustic charm and breathes the refreshing spirit of an autumn breeze into the interior.

*Gofun: A traditional Japanese white pigment made from pulverized sea shells, used to create textured, raised details.
*Sunago: A decorative technique using finely crushed and scattered gold or silver leaf.

The passage of time on silver leaf,
evoking a profound and subtle charm.

Paired on the left side of the screen is not a young silver leaf radiating intense luster, but an antique silver leaf that has acquired a deeply seasoned, atmospheric character over time. This creates an exquisite contrast with the lovely, delicate expression of the white chrysanthemums.

Through the discerning eye of an experienced antique dealer, the inherent charm of this Jidai Byobu has been elevated, allowing you to appreciate its beauty on a much deeper level.

Jidai Byobu

Antique White Chrysanthemum Painting

Antique White Chrysanthemum Painting

The artwork will be meticulously wrapped, secured with cushioning materials, and delivered in a protective outer box. A hook is provided on the back for easy wall mounting.

As each piece is a unique historical artifact, availability is limited and may be subject to prior sale. If you have any questions, please refer to our FAQ page or contact us via the CONTACT form.

[Serial No.]
26 420 026
[Estimated Era]
Mid-Edo Period (approx. 1700–1780)
[Size]
W250mm × H200mm × D30mm

The Art of Traditional Mounting

Every "Jidai Byobu" (historical folding screen) we create is meticulously handcrafted using traditional Japanese hyogu mounting techniques.
In our process, we intentionally apply adhesive only to the outer edges of the reverse side. This time-honored method—the same used for the sliding doors (fusuma) of Japanese temples and the original screens of antiquity—is a testament to the wisdom of our ancestors. It preserves the soft, natural texture of the paper while allowing it to "breathe" and shift in response to seasonal changes in humidity, preventing the delicate material from cracking or tearing.
Should you notice subtle tension lines or ripples appearing near the corners due to environmental changes, please be assured that this is a sign of the paper naturally protecting itself. We hope you will embrace these nuances as a unique "scenery" ("keshiki")—a hallmark of an authentic, living piece of art.
One of the remarkable benefits of traditional mounting is that the piece can be restored even after significant changes over the years. Our craftsmen are honored to breathe new life into your screen should it ever require adjustment. In such cases, please contact us via our inquiry form (kindly note that round-trip shipping costs are the responsibility of the owner).
We are dedicated to working alongside you to preserve this "piece of history" for generations to come.

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